McCarthy: My name is Kathy McCarthy. I’m Director of Nuclear Science and Engineering, and my organization is responsible for research in the area of advanced nuclear energy, and also for the fuel cycle work that supports nuclear energy. In that capacity, what we’re doing is looking to the future. Where do we need to go with energy production? Why do we need to do that?
Nathaniel Weisenberg: My name is Nate Weisenberg. I am here with the Atomic Heritage Foundation. It is April 25, 2018, here in Oak Ridge, Tennessee. I have with me Lee Russell.
Liane Russell: Right.
Weisenberg: My first question is if you could please say your name and spell it for me?
Russell: My full name is Liane B. Russell. It’s L-i-a-n-e, and the B stands for my maiden name, which is Brauch, B-r-a-u-c-h, Russell, R-u-s-s-e-l-l. Okay?
Cindy Kelly: Okay. I’m Cindy Kelly. It is Thursday, April 26, 2018. If you could say and spell your name?
Patricia Postma: Right. I go by Pat, but it’s P-a-t-r-i-c-i-a P-o-s-t-m-a.
Kelly: Great. So tell me, how do you fit into Oak Ridge?
Nathaniel Weisenberg: My name is Nate Weisenberg, and I am here recording this oral history interview for the Atomic Heritage Foundation. It is April 25, 2018. I am here with Ruth Huddleston. If you could start by saying your full name and spelling it, please.
Ruth Huddleston: Ruth Huddleston, H-U-D-D-L-E-S-T-O-N.
Weisenberg: Let’s begin at the beginning. Can you tell me about when and where you were born?
[Note: This interview contains graphic descriptions of a car accident and a discussion of sexual abuse.]
Nathaniel Weisenberg: My name is Nate Weisenberg. I am here with the Atomic Heritage Foundation. We’re in Oak Ridge, Tennessee. It is Wednesday, April 25, 2018, and I am here with Virginia Coleman. My first question for you is if you could please say your name and spell it.
Cindy Kelly: The next speaker is John Adams, who is a composer, as you all know, and composed most recently an opera about the Manhattan Project, “Doctor Atomic,” which opened in San Francisco last October . We are absolutely thrilled to have him here, as an artist who has grappled with the deeper meanings and expressed them most dramatically in music and in theater in this opera. I’d like to invite John to come and get wired up and begin.
John Adams: Thank you very much, thank you.
Alexandra Levy: This is Alexandra Levy. This is on December 28th, 2017, and I’m here in Florida with Joanna Glass. My first question for you is to please say your name and spell it.
Joanna McClelland Glass: I use my maiden name also, so it’s Joanna McClelland Glass, J-o-a-n-n-a M-c-C-l-e-l-l-a-n-d Glass, G-l-a-s-s.
Levy: Great. Thank you. Can you tell us about when and where you were born?
Cindy Kelly: I’m Cindy Kelly, Atomic Heritage Foundation. It is Tuesday, October 17, 2017. I am in Santa Fe with Mary Brennan. My first question for Mary is to say her full name and spell it.
Mary Brennan: I’m Mary Brennan, that’s B-R-E-N-N-A-N.
Kelly: Great, do you have a middle name?
Brennan: I use Godschalx, G-O-D-S-C-H-A-L-X. Mary Godschalx Brennan.
Mary Brennan lives in Santa Fe, New Mexico. She and her husband, Curtiss, moved next door to Dorothy McKibbin, “the Gatekeeper to Los Alamos.” In this interview, Mary discusses her memories of Dorothy, how Dorothy ended up in New Mexico, and Dorothy’s relationship to J. Robert Oppenheimer and the Manhattan Project. In addition, she explains the specificities of the house and how it was a social destination for members of the project.
Mary Whittlesey Kennedy moved to Oak Ridge as a teenager in 1943 when her mother took a job there. In this interview, Mary discusses her years at Oak Ridge including her high school, school dances, and her involvement in clubs such as “the Penguin Club.” She fondly recalls her time in Oak Ridge. She also remembers her mixed reaction to the news of the atomic bomb and how her opinion has changed over the years.