The Manhattan Project

Edward Teller

John Adams's Lecture

Cindy Kelly: The next speaker is John Adams, who is a composer, as you all know, and composed most recently an opera about the Manhattan Project, “Doctor Atomic,” which opened in San Francisco last October [2005]. We are absolutely thrilled to have him here, as an artist who has grappled with the deeper meanings and expressed them most dramatically in music and in theater in this opera. I’d like to invite John to come and get wired up and begin.

[Applause]

John Adams: Thank you very much, thank you.

Astro Teller's Interview

Cindy Kelly: I’m Cindy Kelly. This is May 14, 2018, and I’m in Mountain View, California. I have with me Eric, otherwise known as Astro, Teller. My first question is for him to tell us his name and spell it.

Astro Teller: Astro Teller. I’m the Captain of Moonshots at X. Astro, A-s-t-r-o, last name Teller, T-e-l-l-e-r.

Kelly: Well, we just have to start with—what is Captain of Moonshots?

Harris Mayer's Interview

Nathaniel Weisenberg: My name is Nate Weisenberg. I’m here with Harris Mayer in Los Alamos, New Mexico. It’s October 11, 2017. My first question: if you could just say your name for the camera and spell it, please.

Harris Mayer: My name is Harris Mayer, H-a-r-r-i-s M-a-y-e-r.

Weisenberg: Thank you. I know you had a story that you wanted to begin with, so I will let you go ahead.

Robert S. Norris's Interview (2002)

Robert S. Norris: By the late 30s, physicists, in Europe primarily, but some in America too, were making great discoveries about the atom. The key date here was January 1939, when European scientists had discovered fission. News of that was brought to the United States by Niels Bohr. Actually, it was brought to Washington, DC, at a conference at George Washington University.

Mary Brennan's Interview

Cindy Kelly: I’m Cindy Kelly, Atomic Heritage Foundation. It is Tuesday, October 17, 2017. I am in Santa Fe with Mary Brennan. My first question for Mary is to say her full name and spell it.

Mary Brennan: I’m Mary Brennan, that’s B-R-E-N-N-A-N.

Kelly: Great, do you have a middle name?

Brennan: I use Godschalx, G-O-D-S-C-H-A-L-X. Mary Godschalx Brennan.

Jon Hunner's Interview

Cindy Kelly: I'm Cindy Kelly in Los Cruces, New Mexico and it’s December 7, 2017. I have with me John Hunner. The first question for John is to say his name and spell it.

Jon Hunner: My name is Jon Hunner. J-O-N, H-U-N-N-E-R.

Kelly: Jon, just to get some station identification, why don’t you tell people who you are and what you've been doing professionally for the last thirty years.

Richard Garwin's Interview

Richard Garwin: I’m Richard Garwin. Everybody calls me Dick. G-a-r-w-i-n, born April 19, 1928.

Cindy Kelly: Great. So, we’re going to talk first about what you did as a student, and how you got to know Enrico Fermi and got involved in the business of nuclear weapons. We’ll just start with describing your work in the lab at the University of Chicago, and what it was like to work with Enrico Fermi. Or, if you’d like to go back, prelude that with where you’re from and how you got interested in—

Margaret Norman's Interview

Cindy Kelly: I'm Cindy Kelly, Atomic Heritage Foundation, and it is October 27, 2017 in Washington, D.C. I have with me Margaret Lawrence Norman, and if you could say your name and spell it.

Margaret Norman: Okay. It’s Margaret, but I go as Margie. M-A-R-G-I-E, but officially my father always called me Margaret. M-A-R-G-A-R-E-T, Lawrence, L-A-W-R-E-N-C-E Norman, N-O-R-M-A-N.

Kelly: Can you tell us when you were born and where, and begin describing what your parents were like and what you remember from your early years?

Jim Sanborn's Interview

Kelly: Today is Friday, February 3rd, 2017. I’m Cindy Kelly, Atomic Heritage Foundation, in Albuquerque, New Mexico. I’m here in an installation called “Atomic Time” with its creator, the sculptor and artist Jim Sanborn. My first question to Sanborn is to please say his name and spell it. 

Sanborn:  All right. I’m Jim Sanborn, S-A-N-B-O-R-N. I’m the maker of this installation that I began sometime in 1998 and concluded in 2004, although I added pieces over the years, added more stuff over the years.

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