Lionel Ames is an Army and Manhattan Project veteran. In this interview, he talks about how his brother Maurice Shapiro, who worked as a scientist at Los Alamos, was able to get him assigned to the top-secret site. Ames recalls his work at Los Alamos in the chemistry lab, and his role as a cantor for the weekly Jewish services. He also discusses daily life at Los Alamos. He concludes by discussing his post-war life as an entertainer.
Cindy Kelly: I’m Cindy Kelly, Atomic Heritage Foundation, and it is Wednesday, February 22, 2017. I’m in Encino, California. Maybe the first thing is say your name and spell it for us.
William Ginell: Okay. It’s William Seaman, S-E-A-M-A-N, Ginell, G-I-N-E-L-L.
Kelly: Great. Why don’t you start at the beginning? Tell us when you were born and where and a little bit about your childhood.
William Ginell is a physical chemist who worked on the Manhattan Project. In this interview he describes how he became interested in chemistry and his experiences working at Columbia University and Oak Ridge, TN on the gaseous diffusion process. He reflects on the Army, living conditions, and the intense secrecy and security during the project. He also discusses his life after the war, especially his work at Brookhaven, Atomics International, and Douglas Aircraft.
Kelly: Today is Friday, February 3rd, 2017. I’m Cindy Kelly, Atomic Heritage Foundation, in Albuquerque, New Mexico. I’m here in an installation called “Atomic Time” with its creator, the sculptor and artist Jim Sanborn. My first question to Sanborn is to please say his name and spell it.
Sanborn: All right. I’m Jim Sanborn, S-A-N-B-O-R-N. I’m the maker of this installation that I began sometime in 1998 and concluded in 2004, although I added pieces over the years, added more stuff over the years.
Jim Sanborn is an American sculptor known for works such as “Kryptos” at the CIA Headquarters in McLean, VA.
In this interview, Sanborn discusses his exhibit “Atomic Time,” which is now on display at the National Museum of Nuclear Science and History in Albuquerque, NM. The installation recreates the Manhattan Project scientists’ experiments at Los Alamos to determine when plutonium would go “critical” in an atomic bomb. Sanborn explains why he decided to do the project, and how he carefully created each piece of the exhibit.
Cindy Kelly: Okay. I’m Cindy Kelly. It’s Monday, February 6, 2017, in Santa Fe, New Mexico, and I have James L. Smith. My first question to him is to say his full name and spell it.
Jim Smith: James Lawrence Smith, J-A-M-E-S L-A-W-R-E-N-C-E S-M-I-T-H.
Kelly: Great. Thank you. Why don’t you begin by just telling us a little bit about yourself? What your background is, what you studied and so forth, where you were born, in a nutshell.
[Many thanks to Claude Lyneis for donating this footage to the Atomic Heritage Foundation.]
Cindy Kelly: I’m Cindy Kelly. I’m in Santa Fe. This is Monday, February 6, 2017, and I’m with Floy Agnes Lee, better known as “Aggie.” I’d like to start by asking Aggie to say her full name and spell it.
Kelly: I’m Cindy Kelly, Atomic Heritage Foundation, here in Santa Fe, New Mexico. It is Saturday, February 4, 2017. I have with me Jay Shelton. My first question is to please say your name, full name, and spell it.
Shelton: Jay Shelton, J-A-Y S-H-E-L-T-O-N.
Kelly: Perfect. Now, Jay, why don’t you just tell a little bit about yourself and what you have been doing for the last umpteen years?
Cindy Kelly: Today is February 3rd, 2017. I am Cindy Kelly, Atomic Heritage Foundation. I am in Albuquerque, New Mexico, with Clay K. Perkins. I would like him to first say his full name and spell it.
Clay Perkins: It’s Clay, middle initial K for Kemper, last name Perkins. C-L-A-Y K P-E-R-K-I-N-S.
Kelly: Tell us about who you are. Where are you from? When were you born, how you got interested in science?