Jim Walther is the director of the National Museum of Nuclear Science and History in Albuquerque, NM. He begins this interview by discussing his working relationship with Jim Sanborn, the sculptor behind the renowned exhibits “Atomic Time” and “Critical Assembly.” He continues with a discussion of health physics, the history of nuclear reactors, and other innovations from the Manhattan Project. Walther also talks about the portrayal of nuclear issues in popular culture. He concludes by asserting the importance of studying the Manhattan Project and other nuclear issues.
Nuclear Arms Race
Cindy Kelly: This is Monday, January 30th, 2017. I’m Cindy Kelly, Atomic Heritage Foundation. We are in Washington, D.C., with Bruce Cameron Reed. If you could say your name for us and spell it.
Bruce Cameron Reed: Bruce Cameron Reed, B-R-U-C-E C-A-M-E-R-O-N R-E-E-D.
Kelly: Great. Bruce, tell us about yourself. I know you’re a professor at Alma College, but maybe you could start at the beginning—when and where you were born and how you got interested in science.
Bruce Cameron Reed is a physicist and a professor at Alma College. In this interview, he discusses a course he teaches at Alma about nuclear weapons and the Manhattan Project. He explains how he became interested in the physics and history of the Manhattan Project. He provides an overview of some of the challenges the Manhattan Project scientists faced and why uranium, plutonium, and polonium are so difficult to work with.
Cindy Kelly: I’m Cindy Kelly. It’s November 17, 2016. I have with me Rachel Bronson. My first question is to ask her to please say her name and spell it.
Rachel Bronson has served as the Executive Director of the Bulletin of the Atomic Scientists since February 2016. In this interview, she discusses the role the Bulletin plays today in informing the public on threats posed by nuclear weapons, climate change, and emerging technologies.
Cindy Kelly: I’m Cindy Kelly. This is November 17, 2016, in Chicago, Illinois. I have with me Kennette Benedict, and the first thing I’m going to ask her is to say her name and spell it.
Kennette Benedict: Kennette Benedict. K-e-n-n-e-t-t-e, Benedict, B-e-n-e-d-i-c-t.
Kelly: Great. Thank you, Kennette, for being here. Why don’t we start with just a little something about who you are and why we’ve invited you here today.
Martin Sherwin: In terms of the people who were invited in, I know [George] Kennan.
John Manley: That was for the Halloween meeting.
Sherwin: Yes. Do you remember anything about what Kennan said? What the impression he left was?
Martin Sherwin: Good afternoon, this is an interview with John Manley at the Red Onion restaurant, January 9th, 1985, Los Alamos, New Mexico.
John Manley: —whether you want to start that yet or not? I’m not at all sure in what way I can help you.
Sherwin: Well, I would like to write a book. [Laughter]
Manley: I would like somebody else to write a book with information I could supply.
Owen Gingerich: This is an interview between Owen Gingerich and Robert Wilson. You use your middle initial. It’s Robert R.?
Robert Wilson: Yes, usually.
Gingerich: Robert R. Wilson, who is a builder of high energy accelerators and who was one of the physicists at Los Alamos. We are speaking today in Philadelphia, where we both happen to be for the American Philosophical Society. It’s April 22. No, it’s Shakespeare’s birthday. It’s April 23. That’s the documentation for the day.
Owen Gingerich: Professor Roy Glauber is a physicist, a physicist who had an early start in physics because when he was still an undergraduate at Harvard, it was during World War II. A mysterious caller knocked on his dormitory door, and asked him if he would want to participate in some unspecified kind of scientific war work. He ended up going to Los Alamos as one of the youngest scientists in that scientific community working to make the atomic bomb. Of course there in Los Alamos, Robert Oppenheimer was the director.